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"Wolfgang" wrote in message ... I'm not so ignorant as to believe anything you say without substantial corroboration. Moreover, having grown up among rabid anti-semites, I know the smell when I encounter it. Do you also know that there are people in the US who can offer support and counseling? Do you know who Ursula Hegi is? There is an alternative to over-compensation. Dave |
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On Wed, 16 Feb 2005 07:00:56 -0600, Conan the Librarian
wrote: wrote: ****housemouse! His brother, Bennie de Man, hangs out playing sax - badly - on the corner of St. Peter and Royal in the Vieux Carre...of course, he's more of an obstructionist...well, an obstruction, anyway... Is that the guy in the wheelchair who plays soprano? We were serenaded by him one evening while sitting in the Old Absinthe House having a few drinks. He actually sounded pretty good. Different guy...Bennie sounds exactly like Kenny G....if Kenny G. were made of plastic, had just eaten 43 Atlanta-Style California iguana burritos while getting drunk out of his mind on Lapstrake Karllafong brand Scotch and being sacrificed by Aztecs using graphite knives,,, Chuck Vance (of course, it could have been the wormwood) If wormwood was involved, you would have had to been at the New Absinthe House... TC, R |
On Tue, 15 Feb 2005 19:25:53 -0500, William Claspy
wrote: On 2/15/05 6:54 PM, in article , " wrote: On Tue, 15 Feb 2005 14:49:43 -0500, William Claspy wrote: On 2/15/05 2:21 PM, in article , "David Snedeker" wrote: Your comments frequently suggest to me very much the thought processes and history dismissive attitudes of the thankfully deceased Paul De Mann. De Mann, a prominent Belgium Nazi in his youth, managed to hide this fact most of his life, while building a very successful career in U.S. academe in large part around a scholastic assertion of the impenetrability of historical fact. Like you apparently, De Mann was not aware that there were positive treatment protocols for the personal anguish of his situation. I don't know this De Mann fellow, but he sure sounds a lot like the late deconstructionist Paul de Man. ****housemouse! His brother, Bennie de Man, hangs out playing sax - badly - on the corner of St. Peter and Royal in the Vieux Carre...of course, he's more of an obstructionist...well, an obstruction, anyway... You de man, R, you de man. I don't know this "You de Man" fellow, but I think I met his cousin, Datz da Bom, at a record release party...well, I didn't actually _meet_ him, but he must have been there - everyone kept saying, "Datz da Bom!," so I figure he must have been there somewhere...he sounds like he might be a deconstructionist, too... TC, R Bill |
The proper knife is white obsidian. You colored it wrong in your text,
probably why you flunked anthropology wrote in message ... On Wed, 16 Feb 2005 07:00:56 -0600, Conan the Librarian wrote: wrote: ****housemouse! His brother, Bennie de Man, hangs out playing sax - badly - on the corner of St. Peter and Royal in the Vieux Carre...of course, he's more of an obstructionist...well, an obstruction, anyway... Is that the guy in the wheelchair who plays soprano? We were serenaded by him one evening while sitting in the Old Absinthe House having a few drinks. He actually sounded pretty good. Different guy...Bennie sounds exactly like Kenny G....if Kenny G. were made of plastic, had just eaten 43 Atlanta-Style California iguana burritos while getting drunk out of his mind on Lapstrake Karllafong brand Scotch and being sacrificed by Aztecs using graphite knives,,, Chuck Vance (of course, it could have been the wormwood) If wormwood was involved, you would have had to been at the New Absinthe House... TC, R |
"David Snedeker" wrote in message ... "Wolfgang" wrote in message ... I'm not so ignorant as to believe anything you say without substantial corroboration. Moreover, having grown up among rabid anti-semites, I know the smell when I encounter it. Do you also know that there are people in the US who can offer support and counseling? I bow to your (presumably experience based) authority. Do you know who Ursula Hegi is? I spoke with her briefy about two years ago. I found her to be nearly as self-important as yourself and every bit as silly. After reading "Stones from the River" I was somewhat surprised to find that her command of spoken English, after thirty some years in this country, was passable, but no better. When I asked her whether she composed in German and then translated, or directly in English, she responded with a haughty and pompous gibberish that belies the results of her labors.......assuming, of course, that they aren't ghost-written.......and that reminds me ever so much of the offerings of the ROFF xylophone. There is an alternative to over-compensation. "over-compensation" for what? And, speaking of which, for what might one who belabors an innocent audience with frequent and tedious recitations of the pedestrian accomplishments of his deservedly anonymous ancestors be compensating? Wolfgang |
wrote in message ... Well, that makes me feel better...it ought to help prevent the Monroe Doctrine from getting moldy...the men's room was out of towels, and since they got SO touchy about the Declaration of Ind...er, nevermind... not to worry, those were just cheap knock-offs.....they keep the original in a Mason Jar in the pantry. Pranksters they are, I tell you! Tom p.s. all this subterfuge over aging artifacts reminds me of an old-timer from Cape Cod who told of the locals spending all winter making antiques for the summer tourists! |
"Wolfgang" wrote in message ... "David Snedeker" wrote in message ... "Wolfgang" wrote in message ... I'm not so ignorant as to believe anything you say without substantial corroboration. Moreover, having grown up among rabid anti-semites, I know the smell when I encounter it. Do you also know that there are people in the US who can offer support and counseling? I bow to your (presumably experience based) authority. Do you know who Ursula Hegi is? I spoke with her briefy about two years ago. I found her to be nearly as self-important as yourself and every bit as silly. After reading "Stones from the River" I was somewhat surprised to find that her command of spoken English, after thirty some years in this country, was passable, but no better. When I asked her whether she composed in German and then translated, or directly in English, she responded with a haughty and pompous gibberish that belies the results of her labors.......assuming, of course, that they aren't ghost-written.......and that reminds me ever so much of the offerings of the ROFF xylophone. There is an alternative to over-compensation. "over-compensation" for what? And, speaking of which, for what might one who belabors an innocent audience with frequent and tedious recitations of the pedestrian accomplishments of his deservedly anonymous ancestors be compensating? Wolfgang Well you are not the first to find Hegi less than perfect, but at least she and a few others have tried to positively address the issue of intergenerational guilt and personality disorders endemic with children of the Third Reich. Dave |
"David Snedeker" wrote in message ... Well you are not the first to find Hegi less than perfect, Still, she was all the rage 29 hours ago. :) but at least she and a few others have tried to positively address the issue of intergenerational guilt and personality disorders endemic with children of the Third Reich. Ah, the sins of the fathers and all that, eh? Well, I suppose anyone who traded in that coin would also be content to rest on their laurels, ainna? Wolfgang who, busy enough with his own life, can think of no good reason to try to live someone else's. |
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