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pittendrigh wrote:
RE taking closeups with a less sophisticated camera. I struggled with film technology for years. The setups are the same (if using film or digital) but the feedback cycle is so much faster with digital it's easier to get the bugs worked out. There are two ways to photograph little things closeup (and get good results). You need specialized flash equipment (that reduces hard shadows, one way or another) or you need a light tent. I used little Nikon Coolpix 995 for a long time. You can buy cameras like that for 300 bucks these days. Some do a better closeup job than others. Nikon has always been good at closeups, even in their cheaper, little digey cameras. Digital cameras in the "consumer" class are often excellent for close-up photography. That's because the format size (the size of the image-sensing chip) is small compared to, say, the 35mm film format. This leads to superior depth of field, which is very important for close-ups. The reason for increased depth of field isn't intuitively obvious -- it has nothing to do with the lens, for example. It's all about format size. This advantage is not apparent in "professional" class digital cameras, because their image-sensing chips are comparable to, or identical to, the 35mm film format. If you have a large-format camera, to get acceptable depth-of-field in close-up photography you need intense lighting, which allows you to reduce the aperture (i.e., use a large f-stop). With small-format cameras this is not so much of a problem. -- Cut "to the chase" for my email address. |
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